The Gospel of Sri Ramakrishna
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  • The Gospel of Sri Ramakrishna
  • FOREWORD
  • PREFACE
  • THE RECORDER OF THE GOSPEL
  • INTRODUCTION
    • BOYHOOD
    • COMING TO CALCUTTA
    • BREAD-WINNING EDUCATION
    • KALI TEMPLE AT DAKSHINESWAR
    • SIVA
    • RADHAKANTA
    • KALI
    • SRI RAMAKRISHNA AS A PRIEST
    • THE FIRST VISION OF KALI
    • GOD-INTOXICATED STATE
    • HALADHARI
    • MARRIAGE AND AFTER
    • THE BRAHMANI
    • TANTRA
    • VAISHNAVA DISCIPLINES
    • RAMLALA
    • IN COMMUNION WITH THE DIVINE BELOVED
    • VEDANTA
    • TOTAPURI
    • KALI AND MAYA
    • TOTAPURI'S LESSON
    • COMPANY OF HOLY MEN AND DEVOTEES
    • ISLAM
    • CHRISTIANITY
    • ATTITUDE TOWARD DIFFERENT RELIGIONS
    • PILGRIMAGE
    • RELATION WITH HIS WIFE
    • THE "EGO" OF THE MASTER
    • SUMMARY OF THE MASTER'S SPIRITUAL EXPERIENCES
    • BRAHMO SAMAJ
    • ARYA SAMAJ
    • KESHAB CHANDRA SEN
    • OTHER BRAHMO LEADERS
    • THE MASTER'S YEARNING FOR HIS OWN DEVOTEES
    • THE MASTER'S METHOD OF TEACHING
    • HOUSEHOLDER DEVOTEES
    • FUTURE MONKS
    • RAM AND MANOMOHAN
    • SURENDRA
    • KEDAR
    • HARISH
    • BHAVANATH
    • BALARAM BOSE
    • MAHENDRA OR M.
    • NAG MAHASHAY
    • GIRISH GHOSH
    • PURNA
    • MAHIMACHARAN AND PRATAP HAZRA
    • SOME NOTED MEN
    • KRISTODAS PAL
    • WOMAN DEVOTEES
      • GOPAL MA
    • MONASTIC DISCIPLES
      • LATU
      • RAKHAL
      • THE ELDER GOPAL
      • NARENDRA
      • TARAK
      • BABURAM
      • NIRANJAN
      • JOGINDRA
      • SASHI AND SARAT
      • HARINATH
      • GANGADHAR
      • HARIPRASANNA
      • KALI
      • SUBODH
      • SARADA AND TULASI
    • THE MARCH OF EVENTS
    • INJURY TO THE MASTER'S ARM
    • BEGINNING OF HIS ILLNESS
    • SYAMPUKUR
    • LAST DAYS AT COSSIPORE
    • MAHASAMADHI
  • MASTER AND DISCIPLE
  • IN THE COMPANY OF DEVOTEES
  • VISIT TO VIDYASAGAR
  • ADVICE TO HOUSEHOLDERS
  • THE MASTER AND KESHAB
  • THE MASTER WITH THE BRAHMO DEVOTEES (I)
  • THE MASTER AND VIJAY GOSWAMI
  • THE MASTER'S BIRTHDAY CELEBRATION AT DAKSHINESWAR
  • ADVICE TO THE BRAHMOS
  • THE MASTER WITH THE BRAHMO DEVOTEES (II)
  • WITH THE DEVOTEES AT DAKSHINESWAR (I)
  • THE FESTIVAL AT PANIHATI
  • THE MASTER AND M.
  • INSTRUCTION TO VAISHNAVAS AND BRAHMOS
  • LAST VISIT TO KESHAB
  • WITH THE DEVOTEES AT DAKSHINESWAR (II)
  • M. AT DAKSHINESWAR (I)
  • M. AT DAKSHINESWAR (II)
  • THE MASTER AND HIS INJURED ARM
  • RULES FOR HOUSEHOLDERS AND MONKS
  • A DAY AT DAKSHINESWAR
  • ADVICE TO AN ACTOR
  • FESTIVAL AT SURENDRA'S HOUSE
  • PUNDIT SHASHADHAR
  • ADVICE TO PUNDIT SHASHADHAR
  • FESTIVAL AT ADHAR'S HOUSE
  • AT DAKSHINESWAR
  • AT THE STAR THEATRE (I)
  • THE DURGA PUJA FESTIVAL
  • THE MASTER IN VARIOUS MOODS
  • ADVICE TO ISHAN
  • VISIT TO THE SINTHI BRAHMO SAMAJ
  • WITH VARIOUS DEVOTEES
  • BANKIM CHANDRA
  • AT THE STAR THEATRE (II)
  • THE MASTER'S BIRTHDAY
  • THE MASTER AND NARENDRA
  • WITH THE DEVOTEES IN CALCUTTA
  • THE MASTER'S REMINISCENCES
  • THE MASTER AT THE HOUSES OF BALARAM AND GIRISH
  • AT RAM'S HOUSE
  • CAR FESTIVAL AT BALARAM'S HOUSE
  • VISIT TO NANDA BOSE'S HOUSE
  • THE MASTER ON HIMSELF AND HIS EXPERIENCES
  • SRI RAMAKRISHNA AT SYAMPUKUR
  • THE MASTER AND DR. SARKAR
  • THE MASTER'S TRAINING OF HIS DISCIPLES
  • IN THE COMPANY OF DEVOTEES AT SYAMPUKUR
  • THE MASTER AT COSSIPORE
  • THE MASTER AND BUDDHA
  • THE MASTER'S LOVE FOR HIS DEVOTEES
  • AFTER THE PASSING AWAY
  • WITH KESHAB AT DAKSHINESWAR
  • Appendix B - A LETTER
  • A CHRONOLOGY OF SRI RAMAKRISHNA'S LIFE
  • GLOSSARY
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  1. INTRODUCTION

KALI AND MAYA

Sri Ramakrishna, on the other hand, though fully aware, like his guru, that the world is an illusory appearance, instead of slighting maya, like an orthodox monist, acknowledged its power in the relative life. He was all love and reverence for maya, perceiving in it a mysterious and majestic expression of Divinity. To him maya itself was God, for everything was God. It was one of the faces of Brahman. What he had realized on the heights of the transcendental plane, he also found here below, everywhere about him, under the mysterious garb of names and forms. And this garb was a perfectly transparent sheath, through which he recognized the glory of the Divine Immanence. Maya, the mighty weaver of the garb, is none other than Kali, the Divine Mother. She is the primordial Divine Energy, Sakti, and She can no more be distinguished from the Supreme Brahman than can the power of burning be distinguished from fire. She projects the world and again withdraws it. She spins it as the spider spins its web. She is the Mother of the Universe, identical with the Brahman of Vedanta, and with the Atman of Yoga. As eternal Lawgiver, She makes and unmakes laws; it is by Her imperious will that karma yields its fruit. She ensnares men with illusion and again releases them from bondage with a look of Her benign eyes. She is the supreme Mistress of the cosmic play, and all objects, animate and inanimate, dance by Her will. Even those who realize the Absolute in nirvikalpa samadhi are under Her jurisdiction as long as they still live on the relative plane.

Thus, after nirvikalpa samadhi, Sri Ramakrishna realized maya in an altogether new role. The binding aspect of Kali vanished from before his vision. She no longer obscured his understanding. The world became the glorious manifestation of the Divine Mother. Maya became Brahman. The Transcendental Itself broke through the Immanent. Sri Ramakrishna discovered that maya operates in the relative world in two ways, and he termed these "avidyamaya" and "vidyamaya". Avidyamaya represents the dark forces of creation: sensuous desires, evil passions, greed, lust, cruelty, and so on. It sustains the world system on the lower planes. It is responsible for the round of man's birth and death. It must be fought and vanquished. But vidyamaya is the higher force of creation: the spiritual virtues, the enlightening qualities, kindness, purity, love, devotion. Vidyamaya elevates man to the higher planes of consciousness. With the help of vidyamaya the devotee rids himself of avidyamaya; he then becomes mayatita, free of maya. The two aspects of maya are the two forces of creation, the two powers of Kali; and She stands beyond them both. She is like the effulgent sun, bringing into existence and shining through and standing behind the clouds of different colours and shapes, conjuring up wonderful forms in the blue autumn heaven.

The Divine Mother asked Sri Ramakrishna not to be lost in the featureless Absolute but to remain, in bhavamukha, on the threshold of relative consciousness, the border line between the Absolute and the Relative. He was to keep himself at the "sixth centre" of Tantra, from which he could see not only the glory of the seventh, but also the divine manifestations of the Kundalini in the lower centres. He gently oscillated back and forth across the dividing line. Ecstatic devotion to the Divine Mother alternated with serene absorption in the Ocean of Absolute Unity. He thus bridged the gulf between the Personal and the Impersonal, the immanent and the transcendent aspects of Reality. This is a unique experience in the recorded spiritual history of the world.

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